New music

I've been enjoying a few records in the past week or two. Yesterday I picked up a copy of Chris Potter's new album Underground. Potter's quartet is comprised of Wayne Krantz on guitar, Craig Taborn on rhodes, and Nate Smith on drums. Though bass-less in instrumentation, Taborn's left hand and Krantz's guitar often provide a bottom end while at other times there is no bass line in the traditional sense, rather just overlapping textures of rhodes and guitar. The underlying groove provided by Smith is decidedly in a rock vein, though Potter isn't content to stick with simple meters. It's great to hear the four musicians stretch out on this material - most tracks clock in around ten minutes. Three shorter cover tunes - Radiohead's "Morning Bell", Billy Strayhorn's "Lotus Blossom" and a radically re-harmonized version of the Beatles' "Yesterday" - help break up the longer pieces to make the overall album an interesting listing. Take a listen for yourslef at iTunes or visit Potter's website at www.chrispottermusic.com. You can also stream the song "The Wheel" in it's entirety at MySpace.com

Another record that I picked up recently was Manu Katche's "Neighbourhood". I'd been reading baout this record for quite some time and though it isn't scheduled to be released in the U.S. until later this month I figured I'd spring the extra few bucks and buy the import. Of particular intrest to me was the involvment of pianist Marcin Wasilewski and bassist Slawomir Kurkiewicz as well as their occasional boss, trumpeter Tomasz Stanko. I was a big fan of Wasilewski's Trio record on ECM last year and when he and Kurkiewicz aren't playing as a trio they are part of Stanko's excellent quartet. Add Jan Garbarek's tenor and the leader's prog-rock influenced drumming to the mix and the end result is smooth jazz of the highest order. Don't get me wrong, you won't hear any of these tracks back to back with Kenny G and the like anytime soon, but the quintet create an easy to stomach, Euro-jazz sound that is right up my alley. I will say that Garbarek's tone tends to stick out from time to time but I've been able to cope with it since everything else sounds so good. No website for Katche himself but you can read a little more about the album at ECM's website

A third album that's received it's share of spins on my iPod is Paul Motian's Garden Of Eden. The drummer's second release on ECM in as many years finds him shorting the name of the long standing Paul Motian Electric Bebop Band to the Paul Motian Band. It also finds the usual instrumentation of drums, electric bass, two tenors and two guitars augmented by a third guitar! Having the the third guitar doesn't alter the sound of the group much to my ears but it is interesting to hear two soloists at once while a third guitar comps. In any case I love a third of this record (the tunes by Mingus, Monk & Bird) and am still up in the air about the rest of it. It seems that once the bebop tunes are out of the way, time is thrown out the window. I enjoy an occasional rubato piece as much as the next guy but when ten out of fourteen pieces have no discernible pulse whatsoever I tend to find myself loosing interest. What kills me the most is that the tunes with a pulse swing so hard! I'd love to hear more of that. Perhaps if Motian had sequenced the tunes in a different order ... I don't know. I think this one requires more listening. Listen for yourself at iTunes.