Top 10 + 5 of 2008

Better late than never, here are ten of my favorite jazz recordings as well as five of my favorite non-jazz records from 2008 ...


1) AARON PARKS - Invisible Cinema (Blue Note)
Terence Blanchard's former pianist creates a varied instrumental soundtrack to an untold story.



2) BRIAN BLADE FELLOWSHIP - Season Of Changes (Verve)
After an eight year hiatus the Fellowship returns with another collection of songs that transverse music genres with ease.



3) JOHN ELLIS & DOUBLE WIDE - Dance Like There's No Tomorrow (Hyena)
Ellis' inventive writing and saxophone playing backed by organ, drums and ... sousaphone!



4) BEN ALLISON & MAN SIZE SAFE - Little Things Run The World (Palmetto)
The bassist's new quintet performs his signature blend of jazz/folk/rock on seven originals and a cover of John Lennon's "Jealous Guy."



5) MIKE MORENO - Third Wish (Criss Cross)
A studio snapshot of originals and jazz standards by the likes of Herbie Hancock, Wayne Shorter, Joe Henderson and Billy Strayhorn.



6) MATHIAS EICK - The Door (ECM)
Incredibly atmospheric ECM debut from trumpet player previously heard on recordings by Jacob Young and Manu Katche.



7) MARCIN WASILEWSKI TRIO - January (ECM)
Impeccably recorded mix of originals and compositions by Gary Peacock, Ennio Morricone, Tomasz Stanko, Carla Bley and Prince.



8) LAGE LUND - Early Songs (Criss Cross)
Modern jazz originals played by top notch musicians.



9) DAVE DOUGLAS & KEYSTONE - Moonshine (Greenleaf)
The evolution of the trumpeter's electric band continues.


10) LEONARDO CIOGLIA - Contos (Quizamba)
Intriguing set of originals performed by the bassist and John Ellis, Mike Moreno, Stefon Marris, Aaron Goldberg and Antonio Sanchez.


Contrary to popular belief, I do listen to quite a bit of music that isn't jazz. Here are five records that caught my ear in 2008 ...


1. COLDPLAY - Viva la Vida (EMI)
If it were possible to wear out mp3s, I'd be looking for another copy of this.



2. Q-TIP - The Renaissance (Motown)
This became my gym soundtrack for about three months straight.



3. DEATH CAB FOR CUTIE - Narrow Stairs (Atlantic)
Not as good as Plans to my ears, but a solid record nonetheless.



4. METALLICA - Death Magnetic (E/M Ventures)
This brought me back to freshmen year of high school.



5. MATTHEW LOIACONO - Kentucky (Collar City Records)
Solid set of original tunes performed on mandolin from the original BPQ drummer!

A Tribute To Esbjorn Svensson & E.S.T.

Bill McCann once again invited me on his "Saturday Morning Edition of Jazz" radio program on WCDB 90.9 FM this morning, this time to pay tribute to the late Esbjorn Svensson and his group E.S.T.

Over the course of two hours we played a mix of tunes from the albums Somewhere Else Before, Strange Place For Snow, Seven Days Of Falling, Viaticum, Live In Berlin, Tuesday Wonderland and Live In Hamburg. Here's what was played:

A TRIBUTE TO ESBJORN SVENSSON & E.S.T. 6/28/08




“Elevation Of Love” (6:44)
CD: Seven Days Of Falling (2003)
Track: #7

“Goldwrap” (6:15)
CD: Live In Hamburg (2007)
Track: #4 on disc two

“Tide Of Trepidation” (7:13)
CD: Viaticum (2005)
Track: #1

“Dodge The Dodo” (5:25)
CD: Somewhere Else Before (2000)
Track: #2

“Eighthundred Streets by Feet” (6:49)
CD: Tuesday Wonderland (2006)
Track: #8

“Behind The Yashmak” (15:32)
CD: Live In Hamburg (2007)
Track: #5 on disc two

“The Well-Wisher” (3:47)
CD: Viaticum (2005)
Track: #3

“Seven Days Of Falling” (6:27)
CD: Seven Days Of Falling (2003)
Track: #2

“Tuesday Wonderland” (6:32)
CD: Tuesday Wonderland (2006)
Track: #2

“Serenade For The Renegade” (4:26)
CD: Strange Place For Snow (2002)
Track: #2

“Did They Ever Tell Cousteau” (6:05)
CD: Seven Days Of Falling (2003)
Track: #5

“What Though The Way May Be Long” (6:23)
CD: Viaticum (2005)
Track: #9

“A Picture Of Doris Traveling With Boris” (7:36)
CD: Viaticum – Live In Berlin (2005)
Track: #1 of disc two

“Dolores In A Shoestand” (17:39)
CD: Live In Hamburg (2007)
Track: #2 on disc two

Here are the two YouTube videos I made reference to during the broadcast of Esbjorn's playing outside of E.S.T. It's great to hear him doing his thing in a group with Michael Brecker, Pat Metheny and others. The song is spread over two videos but in my opinion it's best viewed as a whole, played back to back.

Melody/Michael Brecker's solo:



Solos by EsbJorn Svensson, Pat Metheney, Nils Landgren:



While I'm at it, here's a video of E.S.T. playing "Behind The Yashmak" live at Jazz à Juan Les Pins festival in France in 2003:

Esbjorn Svensson 1964-2008

It has been several days since I learned of the passing of Esbjorn Svensson. The pianist was only 44 years old and died in a scuba diving accident on Saturday. When Michael Brecker passed away last year it was after a fairly long illness. Svensson's death came as a shock and hasn't quite sunk in yet.

Other than Brecker, I cannot think of a musician who has had such a huge impact on me and the way I view music, jazz in particular. Svensson was the leader of the European trio E.S.T. which, though the initials stand for the obvious, was truly a co-operative unit with bassist Dan Berglund and drummer Magnus Ostrum. The pianist wrote the music initially but the three musicians sculpted it in such a way that there really wasn't a typical jazz situation of 'leader & sidemen' but rather a band. I think that is what appealed to me the most about the group - they created jazz music rich in improvisation and virtuosity but never at the expense of the overall group sound.

While E.S.T. had become something of a pop phenomenon all over Europe the group never gained the same level of notoriety here in the states. I first learned of their music through a friend who passed along this N.Y. Times piece in 2001. I was intrigued enough to pick up a copy of Somewhere Else Before and later Strange Place For Snow. While I enjoyed the albums I was truly hooked after witnessing an amazing performance to a nearly empty amphitheater at the start of the 2003 SPAC Jazz Festival. Since then I've acquired everything the trio has ever recorded and saw them perform two sets at the Jazz Standard in 2006.

The song that sticks out in my memory from that SPAC performance and also embodies all that I enjoy about E.ST. is "Behind The Yashmak." It's really just a sketch of a tune that's fleshed out with some incredible group interplay and amazing drumming that builds to a frantic climax and abrupt ending. If you have the patience and 15 minutes to spare, I highly recommend putting on a pair of headphones and checking out this version of the tune from last year's Live In Hamburg recording (especially if you don't consider yourself a fan of jazz.) It's truly amazing music.

Behind The Yashmak (Live In Hamburg).mp3

If you like that, go buy some music.

Instant gratification

Next Friday I am venturing south - 116 E. 27th to be exact - to witness a performance by trumpeter Dave Douglas and his group "Keystone".



Douglas leads a plethora of bands but has focused quite a bit on his "Quintet" and "Keystone" groups in recent years. Keystone is what I would call the trumpeter's "electric band" featuring trumpet, saxophone, fender rhodes piano, electric bass, drums and turntables. The group creates soundtracks for the silent films of Roscoe "Fatty" Arbuckle, a relativly unknown star with a tragic story. While I enjoyed watching the films as I listened to the music initially, the compositions and performances work just as well on their own.

Next weekend Douglas will record the four days of Keystone performances at the Jazz Standard and have them available for download on his website within 24 hours of each performance. This is the same set up he used for the Quintet's Live At The Jazz Standard recordings done in December of 2006. This was a pretty unheard of undertaking in the jazz world though I'm pretty sure genres outside of that realm have been doing the same for some time now. Since jazz is such an "in the moment" art form I'm surprised that other artists haven't followed suit.

In any case, we're looking forward to the instant gratification of witnessing a couple of sets and then downloading them when we get home to re-live the moment over and over again!

A Tribute To Michael Brecker 2

I went on Bill McCann's "Saturday Morning Edition of Jazz" radio program on WCDB 90.9 FM this weekend and presented another four hour tribute to the late Michael Brecker. In January of 2007 I went on the program and played a three part program made up of the saxophonist's early work as a sideman, his work as a leader and his sideman work from his later career. This time around I stuck mainly to his work as a leader, playing two or three of my favorite tracks from each of his nine solo releases. After that I had planned on playing a collection of his playing on various jazz standards but we wound up winging it as the next DJ was a wee bit late in getting to the studio. As enjoyable as it was to hear Brecker's music, both in preparing for the program and then listening to it as it aired, I was once again reminded of how great a loss the world suffered in his untimely passing.

Here's a list of what was played ...

A TRIBUTE TO MICHAEL BRECKER 2 - 3/1/08

Michael Brecker – Michael Brecker (1987)
7 – My One And Only Love (8:18)
Pat Metheny (guitar), Kenny Kirkland (piano), Chalie Haden (bass), Jack DeJohnette (drums)

Michael Brecker – Michael Brecker (1987)
4 – Nothing Personal (5:29)
Pat Metheny (guitar), Kenny Kirkland (piano), Chalie Haden (bass), Jack DeJohnette (drums)

Michael Brecker – Don’t Try This At Home (1988)
3 – Scriabin (7:47)
Herbie Hancock (piano), Charlie Haden (bass), Jack DeJohnette (drums)

Michael Brecker – Don’t Try This At Home (1988)
6 – Everthing Happens When You’re Gone (7:13)
Joey Calderazzo (piano), Charlie Haden (bass), Adam Nussbaum (drums)

Michael Brecker – Don’t Try This At Home (1988)
7 - Talking To Myself (5:10)
Mike Stern (guitar), Don Grolnick (piano), Jeff Andrews (electric bass), Peter Erskine (drums), Jim Beard (synthesizers)

Michael Brecker – Now You See It … Now You Don’t (1990)
2 – Minsk (9:03)
Jon Herington (guitar), Joey Calderazzo (piano), Jim Beard (synthesizers), Victor Bailey (electric bass), Adam Nussbaum (drums), Judd Miller (EWI programming)

Michael Brecker – Now You See It … Now You Don’t (1990)
6 – Dogs In The Wine Shop (6:33)
Joey Calderazzo (piano), Jim Beard (synthesizers), Victor Bailey (electric bass), Don Alias (percussion), Milton Cardona (percussion), Steve Berrios (percussion), Judd Miller (EWI programming)

Michael Brecker – Tales From The Hudson (1996)
3 – Song For Bilbao (5:44)
Pat Metheny (guitar), McCoyTyner (piano), Dave Holland (bass), Jack DeJohnette (drums), Don Alias (percussion)

Michael Brecker – Tales From The Hudson (1996)
5 – African Skies (8:12)
Pat Metheny (guitar), McCoyTyner (piano), Dave Holland (bass), Jack DeJohnette (drums), Don Alias (percussion)

Michael Brecker – Two Blocks From The Edge (1998)
1 – Madame Toulouse (5:20)
Joey Calderazzo (piano), James Genus (bass), Jeff “Tain” Watts (drums), Don Alias (percussion)

Michael Brecker – Two Blocks From The Edge (1998)
8 – Delta City Blues Into (:49)
9 – Delta City Blues (4:52)
Joey Calderazzo (piano), James Genus (bass), Jeff “Tain” Watts (drums), Don Alias (percussion)

Michael Brecker – Time Is Of The Essence (1999)
6 – Renaissance Man (for Eddie Harris) (8:36)
Pat Metheny (guitar), Larry Goldings (organ), Bill Stewart (drums)

Michael Brecker – Time Is Of The Essence (1999)
9 – Outrance (10:07)
Pat Metheny (guitar), Larry Goldings (organ), Elvin Jones (drums)

Michael Brecker – Nearness of You – The Ballad Book (2001)
1 – Chan’s Song (5:15)
Pat Metheny (guitar), Herbie Hancock (piano), Chalie Haden (bass), Jack DeJohnette (drums)

Michael Brecker – Nearness of You – The Ballad Book (2001)
8 – My Ship (7:10)
Pat Metheny (guitar), Herbie Hancock (piano), Chalie Haden (bass), Jack DeJohnette (drums)

Michael Brecker Quindectet – Wide Angles (2003)
8 – Evening Faces (7:14)
Alex Sipiagin (trumpet), Robin Eubanks (trombone), Peter Gordon (french horn), Steve Wilson (flute), Iain Dixon (clarinet & bass clarinet), Charles Pillow (oboe & English horn), Mark Feldman (violin), Joyce Hammann (violin), Lois Martin (viola), Erik Friedlander (cello), Adam Rogers (guitar), John Patitucci (bass), Antonio Sanchez (drums), Daniel Sadownick (percussion)

Michael Brecker Quindectet – Wide Angles (2003)
10 – Never Alone (5:42)
Alex Sipiagin (trumpet), Robin Eubanks (trombone), Peter Gordon (french horn), Steve Wilson (flute), Iain Dixon (clarinet & bass clarinet), Charles Pillow (oboe & English horn), Mark Feldman (violin), Joyce Hammann (violin), Lois Martin (viola), Erik Friedlander (cello), Adam Rogers (guitar), John Patitucci (bass), Antonio Sanchez (drums), Daniel Sadownick (percussion)

Michael Brecker – Pilgrimage (2007)
3 – Anagram (10:09)
Pat Metheny (guitar), Brad Mehldau (piano), John Patitucci (bass), Jack DeJohnete (d)

Michael Brecker – Pilgrimage (2007)
7 – Half Moon Lane (7:17)
Pat Metheny (guitar), Brad Mehldau (piano), John Patitucci (bass), Jack DeJohnete (d)

-----

Michael Brecker – Two Blocks From The Edge (1998)
10 – Skylark (5:05)
Joey Calderazzo (piano)

Jack Wilkins – Merge (1977)
3 – Invitation (12:58)
Randy Brecker (flugelhorn), Jack Wilkins (guitar), Phil Markowitz (piano), John Burr (bass), Al Foster (drums)

Various Artists - Who Love You – A Tribute To Jaco Pastorius (1998)
1 Third Stone From The Sun (7:21)
Joey Calderazzo (piano), John Patitucci (bass), Jeff “Tain” Watts (drums)

Herbie Hancock, Michael Brecker & Roy Hargrove - Directions In Music – Celebrating Miles Davis & John Coltrane (2002)
5 – Naima (7:29)

Bob Mintzer & Michael Brecker - Twin Tenors (1993)
5 - Two T's (8:16)
Bob Minzter (tenor sax), Don Grolnick (piano), Michael Formanek (bass), Peter Erskine (drums)

Mike Stern - Is What It Is (1994)
1 – Swunk (7:53)
Mike Stern (guitar), Jim Beard (synthesizers & piano), Will Lee (electric bass), Dennis Chambers (drums)

Jack Wilkins – Merge (1977)
5 – What Is This Thing Called Love (8:05)
Randy Brecker (flugelhorn), Jack Wilkins (guitar), Phil Markowitz (piano), John Burr (bass), Al Foster (drums)

Michael Brecker – Time Is Of The Essence (1999)
3 - Half Past Late (7:54)
Pat Metheny (guitar), Larry Goldings (organ), Bill Stewart (drums)

Top 10 of 2007

It's that time of year again ...

1) SAM YAHEL TRIO - Truth And Beauty (Origin)
Previously known as Yaya3 and the Joshua Redman Elastic Band, the trio of organist Sam Yahel, saxophonist Joshua Redman and drummer Brian Blade eschews their usual electronics in favor of a stripped down organ combo sound on a collection of memorable compositions by the leader and covers of Ornette Coleman and Paul Simon.

2) KNEEBODY - Low Electrical Worker (Colortone Media)
Kneebody continues to create intriguing music that defies categorization. I had the pleasure of seeing the band perform at Bennington College this fall and was blown away, as expected. How this band can continue to stay just below the radar is beyond me.

3) KENDRICK SCOTT ORACLE - The Source (World Culture Music)
A varied collection of modern jazz compositions penned by the drummer featuring saxophonists Seamus Blake, Myron Walden & Walter Smith III, guitarists Mike Moreno, Lage Lund & Lionel Loueke, pianists Aaron Parks & Robert Glasper, bassist Derrick Hodge and vocalist Gretchen Parlato.

4) MIKE MORENO - Between The Lines (World Culture Music)
Having heard bootleg versions of several of these compositions, this studio collection of eight well crafted originals by the guitarist was well worth the wait. This one grew on me more and more with every listen.

5) E.S.T. - Live In Hamburg (ACT)
Released late in the year, this two disc set documents an evening with the Esbjorn Svennson Trio exactly as it went down from start to finish. These guys continue to be my hands-down favorite band in the world and the only thing that kept this from creeping up to number one was the fact that I love their studio recordings so much.

6) JEROME SABBAGH - Pogo (Sunnyside)
The French saxophonist's follow up to North (Fresh Sound New Talent) finds him surrounded with the same cast of characters - guitarist Ben Monder, bassist Joe Martin and drummer Ted Poor - interpreting eight of his intriguing original compositions.

7) MANU KATCHE - Playground (ECM)
On his second ECM release the drummer employs the same rhythm section as his debut - pianist Marcin Wasilewski and bassist Slawomir Kurkiewicz (on loan from trumpeter Tomasz Stanko's quartet) - together with with a young horn section comprised of saxophonist Trygve Seim and trumpeter Mathias Eick. The music is a great mixture of what one would expect from the ECM label with a touch of Katche's pop background seeping in. David Torn's subtle guitar on two tracks is an added bonus.

8) SEAMUS BLAKE - Way Out Willy (Criss Cross)
It's been a while since Seamus Blake put out a record under his own name. He's always been one of my favorite musicians and this collection of six originals was, to use the overused cliche once again, well worth the wait. The saxophonist is joined by a pair of his usual compatriots - pianist Dave Kikoski , and drummer Bill Stewart - and two younger musicians - guitarist Lage Lund and bassist Orlando LeFleming.

9) BRAD SHEPIK TRIO - Places You Go (Songlines)
This was a pleasant surprise for me this year. I was familiar with Brad Shepik but I had never checked out his work as a leader. I think I first discovered this recording through MySpace and it's another organ trio but with leader's guitar instead of sax. These ten tunes just stuck with me - I never get tired of listening to this record.

10) MANUEL VALERA - Vientos (Anzic)
I'm not usually a fan of chamber jazz recordings but pianist Manuel Valera came up with just the right combination of jazz quartet and woodwind quintet for my tastes. The tunes are great and Joel Frahm absolutely tears it up on tenor and soprano.

Honorable mention:

EBERHARD WEBER - Stages of a Long Journey (ECM)
I first heard this music on Jason Crane's "The Jazz Session" podcast and immediately downloaded it from iTunes. This is an incredible recording of a live concert with the bassist's all star combo - featuring vibraphonist Gary Burton and saxophonist Jan Garbarek among others - backed by a full orchestra. Beautiful, beautiful music.

I also listen to music that isn't jazz from time to time. Here are a few more records I enjoyed this year:

RADIOHEAD - In Rainbows
THE SHINS - Wincing The Night Away (Sub Pop)
IRON & WINE - The Shepherd's Dog (Sub Pop)
FIRE FLIES - Two New Sciences (Asteroid B-612 Records)
SARAH PEDINOTTI - City Bird

It's funny the difference a few months make ...

It's funny the difference a few months make. Just past the halfway point of the season the Benglas have found themselves a measly 3-6. The 6 losses are certainly not from a lack of offense - Carson Palmer continues to put up the same type of numbers that got him to last year's Pro Bowl, running back Kelly Watson stepped up to fill in nicely for an injured Rudi Johnson for a few weeks and receiver TJ Houshmandzadeh is having the best year of his career so far, eclipsing usual star Chad Johnson who while playing well, is not living up to his own hype. Sadly the Bengals have one of, if not the, worst defenses in the National Football League. As it stands now the team is once again on track for their annual 8-8 final record under coach Marvin Lewis.

In the not-so-depressing sports category, the 2007 Boston Red Sox won the World Series! This made our trip to Fenway this summer even more memorable as we were actually watching the future world champs in action! I did my best to catch as many playoff games as possible this fall (including one I technically shouldn't have seen) but due to various performance/rehearsal commitments, I missed a lot of post season baseball. In the end, Game 4 of the World Series coincided with the BPQ's usual Sunday night gig at Justin's, but as the clock struck midnight I dropped the horn and ran (literally) across Lark Street to Legends Sports Bar to watch the final three outs. Not sure what was more entertaining, watching the games I was able to see or watching Manny, Papi and Papelbon show up on the late night TV circuit after their win. There certainly are some characters on that team ...

In the beginning of October I was fortunate to catch one of my favorite bands at Bennington College in Vermont. Kneebody is an instrumental quintet of LA & NY based musicians creating music that, to my ears, is totally contemporary and a logical extension of everything that has come before it. I suppose that can be said about many bands but there is something about this band's aesthetic that really appeals to me. Not to mention the fact that on a pure saxophonic level, Ben Wendel kicks some serious butt! Go check these guys out online and if you like what you hear support them by buying some music: www.kneebody.com.

Last weekend the Big Soul Ensemble closed out this year's "A Place For Jazz" concert series at the "Whisperdome" in Schenectady. The group is a year-old 17 piece big band led by saxophonist Keith Pray. We play a book of predominantly in-house compositions & arrangements though the occasional stock chart has found it's way into the book from time to time. The band played well and the night was recorded so there may be a CD on the way at some point. In the meantime you can check out some pictures on www.albanyjazz.com.

Later that same weekend the BPQ headed to NYC for a performance at Django Restaurant on Lexington and 36th. We were the musical entertainment for the Clockwork Theater's annual fundraising event. The performance itself went off without a hitch though getting to NYC on the other hand ... let's just say that the next road trip will include a rental van. After the gig we dropped off our gear at the hotel and headed down to the village for some great Thai food - a new favorite, thanks guys - and a set by the Spike Wilner Ensemble at Smalls featuring trumpeter Ryan Kisor. Big thanks to Clockwork for having us at their event and the guys in the band for dealing with all of the ups and downs of the road trip with style and class.

1 - 0

The Cincinnati Benglas won their home opener last night in a close match-up with division rivals the Baltimore Ravens.

The Ravens defense is said to be one of the toughest in the league, but it was the Bengals usually sub-par D that stepped up last night to help win the game. The Ravens turned over the ball on their first three or four possessions to a Bengals defense that really looked impressive.

Their highly touted offense of Carson Palmer and the Johnsons (Chad and Rudi) got the job done even though their final numbers don't reflect it. Chad's early TD and sideline celebration were fun and he claims there's plenty more where that came from.

If last night was an indication of how the defense will play this year, I'd say 2007 could be the year of the Bengals!

B is for Brian

Baseball has always been popular in my family, especially on my mother's side. Growing up in the Bronx my mom was a huge fan of the Yankees - which is why the story of my baseball loyalty is so bizarre.

Seems that when I was a young child my mom thought it would be cute to buy me a blue baseball cap with a red "B" on it. "B is for Brian" is what I was told growing up. Well, it didn't take me long to realize that I was wearing a hat that pitted me against the rest of my family and friends. I'm not sure if it had anything to do with youthful rebellion, but from that day forward I've been a fan of the Boston Red Sox.

As a kid I was a baseball fanatic, a die-hard little leaguer and an avid baseball card collector. Somewhere around the end of high school and the start of college my interest in the game waned. When the Sox won their first world series in ages a few years ago, I was happy, but I didn't get sucked back in.

Fast forward to last year. Somewhere along the line I was bitten by the bug once again. I think it might have been spending a few days in Rockport, MA among countless other Boston fans, opposed to the plethora of upstate New York Yankee fans. The fact that the team was doing fairly well didn't hurt either. In any case, I followed much of the 2006 season and was disappointed when the Bronx Bombers swept my team, effectively ending their season.

I wasn't sure if I'd be as interested in the game this year but I've been following the 2007 season even closer than last year. I've even gone as far as ordering the MLB package from Time Warner Cable so I can actually watch some games that are against teams other than the Yankees. Speaking of which, another sweep this week?

Catching up ...

It has been a busy few months, most of which was spent preparing for the release of my group's third CD. If you're reading this, chances are you know all about As We Know It (WEPA Records) - but just in case - you can read more about the CD and listen/purchase a copy here or listen/download tracks from iTunes here.

We had a release party on Friday, April 20th at the WAMC Performing Arts Studio's Linda Norris Auditorium aka "The Linda." There were lots of friends, family and other folks in attendance. The folks at the Linda were great to work with and recorded the concert for a future broadcast.

The next week I had the opportunity to perform at my alma mater - Schalmont High School. The last time I had been back to 1 Sabre Drive was in 1997 when I had a brief stint as director of the jazz ensemble. There's been a good deal of construction since then (including a complete overhaul of the auditorium) but the memories came flooding back nonetheless. Sean Lowery invited me to perform with my own group and also appear as a guest soloist with the Schalmont High School Jazz Ensemble. It was truly an honor to be given this opportunity and a lot of fun to work with the kids.



I've also come down with quite the case of baseball fever. More on that later.

A Tribute To Michael Brecker

Bill McCann was kind enough to invite me on his "Saturday Morning Edition of Jazz" radio program on WCDB 90.9 FM this past Saturday to present a four hour tribute to the late Michael Brecker.

It was tough choosing a mere four hours of music to showcase considering the body of work Brecker recorded in his lifetime. I ultimately decided on a three part program focusing on his early work as a sideman, his solo recordings and his later work as a sideman. Listening to this music brought back a flood of memories ...

A TRIBUTE TO MICHAEL BRECKER 1/20/07

PART ONE – The Early Years (1972 – 1984)

Horace Silver – In Pursuit of the 27th Man (1972)
Track 3 – "Gregory Is Here" (6:18)
Horace Silver (piano), Randy Brecker (trumpet), Bob Cranshaw (electric bass), Mickey Roker (drums)

Hal Galper – Reach Out (1976)
Track 2 – "I’ll Never Stop Loving You" (7:14)
Hal Galper (piano)

Mel Lewis – Mel Lewis & Friends (1977)
Track 3 – "Moose The Mooche" (8:10)
Freddie Hubbard (trumpet), Hank Jones (piano), Ron Carter (bass) Mel Lewis (drums)

Chet Baker – You Can’t Go Home Again (1977)
Track 1 – "Love For Sale" (13:03)
Chet Baker (trumpet), Richie Beirach (electric piano & clavinet), John Scofield (guitar), Ron Carter (acoustic bass), Alphonso Johnson (electric bass), Tony Williams (drums), Don Sebesky (string arrangement)

Brecker Brothers – Heavy Metal Be-Bop (1978)
Track 3 – "Some Skunk Funk" (6:59)
Randy Brecker (trumpet), Barry Finnerty (guitar), Neil Jason (electric bass), Terry Bozio (drums)

Pat Metheny – 80/81 (1980)
Disc 2, Track 3 – 'Every Day (I Thank You)' (13:16)
Pat Metheny (guitar), Charlie Haden (bass), Jack DeJohnette (drums)

Chick Corea – Three Quartets (1981)
Track 8 – "Confirmation" (6:15)
Chick Corea (drums)

Steps Ahead – Steps Ahead (1983)
Track 1 – "Pools" (11:22)
Eliane Elias (piano), Mike Mainieri (vibes), Eddie Gomez (bass), Peter Erskine (drums)

John Abercrombie – Night (1984)
Track 3 – "3 East" (4:27)
John Abercrombie (guitar), Jan Hammer (keyboards), Jack DeJohnette (drums)

PART TWO – Solo Recordings (1987 – 2003)

Michael Brecker – Michael Brecker (1987)
Track 5 – "The Cost of Living" (7:49)
Pat Metheny (guitar), Kenny Kirkland (piano), Chalie Haden (bass), Jack DeJohnette (drums)

Michael Brecker – Don’t Try This At Home (1988)
Track 4 – "Suspone" (4:58)
Mike Stern (guitar), Joey Calderazzo (piano), Jeff Andrews (electric bass), Adam Nussbaum (drums)

Michael Brecker – Now You See It … Now You Don’t (1990)
Track 8 – "The Meaning of the Blues" (6:01)
Joey Calderazzo (piano), Jay Anderson (bass), Adam Nussbaum (drums)

Michael Brecker – Tales From The Hudson (1996)
Track 2 – "Midnight Voyage" (7:18)
Pat Metheny (guitar), Joey Calderazzo (piano), Dave Holland (bass), Jack DeJohnette (drums)

Michael Brecker – Two Blocks From The Edge (1998)
Track 2 – "El Nino" (7:42)
Joey Calderazzo (piano), James Genus (bass), Jeff “Tain” Watts (drums), Don Alias (percussion)

Michael Brecker – Time Is Of The Essence (1999)
Track 3 – "Half Past Late" (7:54)
Pat Metheny (guitar), Larry Goldings (organ), Bill Stewart (drums)

Michael Brecker – Nearness of You – The Ballad Book (2001)
Track 3 – "Nascente" (6:18)
Pat Metheny (guitar), Herbie Hancock (piano), Chalie Haden (bass), Jack DeJohnette (drums)

Michael Brecker Quindectet – Wide Angles (2003)
Track 6 – "Scylla" (10:40)
Alex Sipiagin (trumpet), Robin Eubanks (trombone), Peter Gordon (french horn), Steve Wilson (flute), Iain Dixon (clarinet & bass clarinet), Charles Pillow (oboe & English horn), Mark Feldman (violin), Joyce Hammann (violin), Lois Martin (viola), Erik Friedlander (cello), Adam Rogers (guitar), John Patitucci (bass), Antonio Sanchez (drums), Daniel Sadownick (percussion)

PART THREE – Late Career (1995 – 2002)

Gary Burton – Times Like These (1988)
Track 1 – "Times Like These" (6:34)
John Scofield (guitar), Gary Buton (vibes), Marc Johnson (bass), Peter Erskine (drums)

Don Grolnick – Weaver of Dreams (1989)
Track 5 – "I Want To Be Happy" (5:45)
Randy Brecker (trumpet), Barry Rogers (trombone), Bob Mintzer (bass clarinet), Don Grolnick (piano), Dave Holland (bass), Peter Erskine (drums)

Brecker Brothers – Return Of The Brecker Brothers (1992)
Track 4 – "Above & Below" (7:05)
Randy Brecker (trumpet), Mike Stern (guitar), George Whitty (keyboards), James Genus (electric bass), Dennis Chambers (drums), Bashiri Johnson (percussion)

Twin Tenors (1993)
Track 2 – "Giant Steps" (6:09)
Bob Minzter (tenor sax), Don Grolnick (piano), Michael Formanek (bass), Peter Erskine (drums)

McCoy Tyner – Infinity (1995)
Track 2 – "I Mean You" (7:16)
McCoy Tyner (piano), Avery Sharpe (bass), Aaron Scott (drums)

Herbie Hancock – The New Standard (1996)
Track 7 – "Scarborough Fair" (8:24)
Herbie Hancock (piano), John Scofield (guitar), Dave Holland (bass), Jack DeJohnette (drums), Don Alias (percussion)

Mike Stern – Give and Take (1997)
Track 2 – "Hook Up" (7:01)
Mike Stern (guitar), John Patitucci (bass), Jack DeJohnette (drums)

Charlie Haden – American Dreams (2002)
Track 2 – "Travels" (6:44)
Charlie Haden (bass), Brad Mehldau (piano), Brian Blade (drums), Vince Mendoza (string arrangement, conductor)

Michael Brecker (1949-2007)

I was down in NYC yesterday when I learned of Michael Brecker's passing. Needless to say, I'm devastated. If it weren't for him, I doubt I'd be doing what I'm doing with my life. His tone, his mastery of the horn, his unique vocabulary, his ability to fit into any musical situation with ease ... so many things made Brecker my main musical influence ever since I first heard him as a freshman in high school. Over the years I've accumulated a great deal of his music - all of which has served as continual inspiration. I even had the pleasure of meeting and talking to him on several occasions and he was the nicest human being you could imagine. Thanks for the inspiration Mike.

www.michaelbrecker.com

Addendum ...

Each year my "Top 10" list is a continual work in progress. From January to December I acquire a great deal of music but there are certain recordings that grab and hold my attention right from the get-go more than others.

I've long been a fan of trumpeter Dave Douglas and his many ensembles so when I heard that he was releasing another recording by his quintet in April I was elated. Although their last few recordings were fantastic, upon initial listening I wasn't moved by Meaning and Mystery (Greenleaf Music). So, the recording got filed away with so many others from the year that, while enjoyable, I didn't find myself coming back to on a regular basis.

Fast forward to December - Douglas and the Quintet documented a full week of live performances at NYC's Jazz Standard and made the recordings available to the public the very next day on his own Greenleaf Music website. I checked out some of this music and really liked what I heard. This made me go back and reexamine not only the new recording but all of the quintet's releases.

I'm not sure what I was thinking the first time around but Meaning and Mystery is a great album!!! Hearing these compositions in a live setting made me enjoy the studio documentation a little more and I'm really digging Donny McCaslin's sax work. Chris Potter's are some pretty big shoes to fill and McCaslin has done a great job stepping in and bringing his unique approach to improvisation to Douglas' music.

So, add another record to my Top 10, er, 11 of 2006.

www.davedouglas.com
www.greenleafmusic.com

Top 10 Of 2006

As 2006 draws to a close, here are ten jazz recordings that I've enjoyed this year, as well as a half-dozen non-jazz albums that spent a good deal of time playing on my iPod ...

1) JOHN ELLIS - By A Thread (Hyena)
While I enjoyed his previous two records immensely, saxophonist John Ellis has crafted a masterpiece (at least to my ears) with By A Thread. The band--guitarist Mike Moreno, pianist Aaron Goldberg, bassist Reuben Rogers and drummer Terreon Gully--interprets nine original compositions that span a variety of styles. The playing on the record is superb, but I believe what really hooked me was Ellis' clever writing. The saxophonist includes enough hooks to leave melodies lingering in your memory with plenty of room for soloists to stretch out.

2) BOB REYNOLDS - Can't Wait For Perfect (Fresh Sound New Talent)
Saxophonist Bob Reynolds augmented pianist Aaron Goldberg's working trio (featuring bassist Reuben Rogers and drummer Eric Harland) with Mike Moreno's guitar and his own tenor for a program of listener-friendly, original compositions with enough rhythmic and harmonic sophistication to keep things interesting. The addition of David Soler's pedal steel guitar on a pair of tracks gives the music a unique flavor reminiscent of Brian Blade's Fellowship records.

3) DAVE HOLLAND QUINTET - Critical Mass (Dare2)
There's something to be said about hearing an entire album's worth of new material being road tested just before it gets recorded. About a year ago Dave Holland brought his quintet to Schenectady and provided those of us in attendance with such an opportunity. Not that they needed the public rehearsal mind you - the band absolutely killed the material on stage - and did so once again a few days later in the studio. Critical Mass is easily my favorite Dave Holland Quintet record yet. Is it the mix of clever compositions from all the band members? The top notch soloing from everyone involved? The dynamic interplay between the rhythm section and the soloists? It's probably all of this plus the eight months of waiting to hear these songs once again and recapture the magic of that night last December ...

4) E.S.T. - Tuesday Wonderland (ACT)
The Esbjorn Svensson Trio continues its streak of highly crafted individualistic albums with a collection of songs said to be based on J.S. Bach's "Well Tempered Clavier." I don't believe this one has been released stateside just yet but the title track alone, with it's shifting odd-meter grooves and memorable melodies, makes this record worth seeking out overseas.

5) CHRIS POTTER - Underground (Sunnyside)
I had been blown away by a bootleg video of this group that I acquired about a year before this record came out. I waited anxiously to hear the 'official' documentation of Potter's fusion quartet to see how it would measure up to that live performance I had listened to so many times. I'm happy to report that the studio record was just as good as the live performance. The quartet - comprised of tenor sax, guitar, fender rhodes & drums - stretches out on Potter's original material as well as tunes by Radiohead, The Beatles and Billy Strayhorn.

6) NIK BARTSCH'S RONIN - Stoa (ECM)
I have never heard music that sounds quite like what pianist Nik Bartsh's group produces. Sure, the influences are apparent - classical minimalism, M-base, funk, electronica - but the way these five musicians combine these sounds in a live setting is unique and inspiring to my ears. To some it might be considered a stretch to put this music in a list of "jazz" recordings but there is certainly enough improvisation and group interaction to qualify.

7) FRANK LOCRASTO - When You're There (Maxjazz)
This is an incredible debut album for pianist Frank Locrasto. He's assembled an amazing band - including saxophonist Chris Cheek, guitarist Mike Moreno, bassist Ben Street & drummer Tommy Crane - to interpret nine of his original compositions. The core quintet is augmented with strings and woodwinds on several pieces adding a welcome layer of depth to the music. The writing is exquisite and the playing inspired.

8) JOE LOCKE/GEOFFERY KEEZER GROUP - Live In Seattle (Origin)
Yet another example of hearing the music live before the recording ... I caught Joe Locke's band (minus Keezer) at the Kingston International Jazz Festival this summer where they played many of the selections on this recording. Drummer Terreon Gully and acoustic & electric bassist Mike Pope round out the quartet on this live recording with flawless execution and unbridled creativity.

9) BEN ALLISON - Cowboy Justice (Palmetto)
I've been a long time fan of bassist Ben Allison and his various ensembles. When I read that he was releasing his first record without a saxophonist I was initially a little disappointed (what can I say?) but I had faith that he would once again produce something out of the ordinary. When I actually heard the music I was blown away by the writing and the quartet he had assembled. Trumpeter Ron Horton, guitarist Steve Cardenas and drummer Jeff Ballard help Allison bring his songs of political dissidence to life while producing one of the fullest sounds I've heard from a piano-(and sax)-less quartet in some time.

10) MARCUS STRICKLAND - Twi-Life (disc 2) (Strick Music)
I first became acquainted with saxophonist Marcus Strickland through his work with bassist Lonnie Plaxico's group. Since then I've enjoyed his contributions to records by Dave Douglas, Roy Haynes, Jeff "Tain" Watts and others as well as his own recordings for the Fresh Sound New Talent label. To call Strickland's debut release on his own "Strick Music" label ambitious would be a vast understatement. It's difficult enough to release a recording on a brand new, independent label. Add to that the fact that it's a double album of (nearly) all original compositions performed by two bands and you're really challenging yourself as an artist. Strickland succeeds in presenting his vision with both an acoustic "Quartet" - featuring pianist Robert Glasper, acoustic bassist Vincente Archer and brother/drummer E.J. Strickland - and his electric "Twi-Life Quartet" - featuring guitarist Lage Lund, electric bassist Brad Jones and E.J. once again. While I enjoy both groups, the electric quartet gets my nod for the stellar guitar work by Lund.

Non-Jazz:
KAMIKAZE HEARTS - Oneida Road (Collar Citty Records)
THE RACONTEURS - Broken Boy Soldiers (V2)
ZERO 7 - The Garden (Warner)
JOHN MAYER - Continuum (Columbia)
MUSE - Black Hole And Revolutions (A&E)
THE LAST KISS - Original Motion Picture Soundtrack (Lakeshore)