Bill McCann once again invited me on his "Saturday Morning Edition of Jazz" radio program on WCDB 90.9 FM this morning, this time to pay tribute to the late Esbjorn Svensson and his group E.S.T.
Over the course of two hours we played a mix of tunes from the albums Somewhere Else Before, Strange Place For Snow, Seven Days Of Falling, Viaticum, Live In Berlin, Tuesday Wonderland and Live In Hamburg. Here's what was played:
A TRIBUTE TO ESBJORN SVENSSON & E.S.T. 6/28/08
“Elevation Of Love” (6:44)
CD: Seven Days Of Falling (2003)
Track: #7
“Goldwrap” (6:15)
CD: Live In Hamburg (2007)
Track: #4 on disc two
“Tide Of Trepidation” (7:13)
CD: Viaticum (2005)
Track: #1
“Dodge The Dodo” (5:25)
CD: Somewhere Else Before (2000)
Track: #2
“Eighthundred Streets by Feet” (6:49)
CD: Tuesday Wonderland (2006)
Track: #8
“Behind The Yashmak” (15:32)
CD: Live In Hamburg (2007)
Track: #5 on disc two
“The Well-Wisher” (3:47)
CD: Viaticum (2005)
Track: #3
“Seven Days Of Falling” (6:27)
CD: Seven Days Of Falling (2003)
Track: #2
“Tuesday Wonderland” (6:32)
CD: Tuesday Wonderland (2006)
Track: #2
“Serenade For The Renegade” (4:26)
CD: Strange Place For Snow (2002)
Track: #2
“Did They Ever Tell Cousteau” (6:05)
CD: Seven Days Of Falling (2003)
Track: #5
“What Though The Way May Be Long” (6:23)
CD: Viaticum (2005)
Track: #9
“A Picture Of Doris Traveling With Boris” (7:36)
CD: Viaticum – Live In Berlin (2005)
Track: #1 of disc two
“Dolores In A Shoestand” (17:39)
CD: Live In Hamburg (2007)
Track: #2 on disc two
Here are the two YouTube videos I made reference to during the broadcast of Esbjorn's playing outside of E.S.T. It's great to hear him doing his thing in a group with Michael Brecker, Pat Metheny and others. The song is spread over two videos but in my opinion it's best viewed as a whole, played back to back.
Melody/Michael Brecker's solo:
Solos by EsbJorn Svensson, Pat Metheney, Nils Landgren:
While I'm at it, here's a video of E.S.T. playing "Behind The Yashmak" live at Jazz à Juan Les Pins festival in France in 2003:
Saturday, June 28, 2008
Thursday, June 19, 2008
Esbjorn Svensson 1964-2008
It has been several days since I learned of the passing of Esbjorn Svensson. The pianist was only 44 years old and died in a scuba diving accident on Saturday. When Michael Brecker passed away last year it was after a fairly long illness. Svensson's death came as a shock and hasn't quite sunk in yet.
Other than Brecker, I cannot think of a musician who has had such a huge impact on me and the way I view music, jazz in particular. Svensson was the leader of the European trio E.S.T. which, though the initials stand for the obvious, was truly a co-operative unit with bassist Dan Berglund and drummer Magnus Ostrum. The pianist wrote the music initially but the three musicians sculpted it in such a way that there really wasn't a typical jazz situation of 'leader & sidemen' but rather a band. I think that is what appealed to me the most about the group - they created jazz music rich in improvisation and virtuosity but never at the expense of the overall group sound.
While E.S.T. had become something of a pop phenomenon all over Europe the group never gained the same level of notoriety here in the states. I first learned of their music through a friend who passed along this N.Y. Times piece in 2001. I was intrigued enough to pick up a copy of Somewhere Else Before and later Strange Place For Snow. While I enjoyed the albums I was truly hooked after witnessing an amazing performance to a nearly empty amphitheater at the start of the 2003 SPAC Jazz Festival. Since then I've acquired everything the trio has ever recorded and saw them perform two sets at the Jazz Standard in 2006.
The song that sticks out in my memory from that SPAC performance and also embodies all that I enjoy about E.ST. is "Behind The Yashmak." It's really just a sketch of a tune that's fleshed out with some incredible group interplay and amazing drumming that builds to a frantic climax and abrupt ending. If you have the patience and 15 minutes to spare, I highly recommend putting on a pair of headphones and checking out this version of the tune from last year's Live In Hamburg recording (especially if you don't consider yourself a fan of jazz.) It's truly amazing music.
Behind The Yashmak (Live In Hamburg).mp3
If you like that, go buy some music.
Other than Brecker, I cannot think of a musician who has had such a huge impact on me and the way I view music, jazz in particular. Svensson was the leader of the European trio E.S.T. which, though the initials stand for the obvious, was truly a co-operative unit with bassist Dan Berglund and drummer Magnus Ostrum. The pianist wrote the music initially but the three musicians sculpted it in such a way that there really wasn't a typical jazz situation of 'leader & sidemen' but rather a band. I think that is what appealed to me the most about the group - they created jazz music rich in improvisation and virtuosity but never at the expense of the overall group sound.
While E.S.T. had become something of a pop phenomenon all over Europe the group never gained the same level of notoriety here in the states. I first learned of their music through a friend who passed along this N.Y. Times piece in 2001. I was intrigued enough to pick up a copy of Somewhere Else Before and later Strange Place For Snow. While I enjoyed the albums I was truly hooked after witnessing an amazing performance to a nearly empty amphitheater at the start of the 2003 SPAC Jazz Festival. Since then I've acquired everything the trio has ever recorded and saw them perform two sets at the Jazz Standard in 2006.
The song that sticks out in my memory from that SPAC performance and also embodies all that I enjoy about E.ST. is "Behind The Yashmak." It's really just a sketch of a tune that's fleshed out with some incredible group interplay and amazing drumming that builds to a frantic climax and abrupt ending. If you have the patience and 15 minutes to spare, I highly recommend putting on a pair of headphones and checking out this version of the tune from last year's Live In Hamburg recording (especially if you don't consider yourself a fan of jazz.) It's truly amazing music.
Behind The Yashmak (Live In Hamburg).mp3
If you like that, go buy some music.
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